"""
Layer 4 Director: 60-Second Rabbit Hole

Channel-specific prompt for the "60-Second Rabbit Hole" channel.
Escalating density. Each beat stranger than the last. The pace ACCELERATES.
The viewer goes down a hole and surfaces somewhere they never expected.

The voice: someone who just fell down a Wikipedia hole at 2am
and is breathlessly connecting dots that shouldn't connect,
pulling you deeper with every sentence.
"""

from .layer4_director_base import build_director_prompt, METADATA as BASE_METADATA

METADATA = {
    **BASE_METADATA,
    "layer": "4_director_sixty_second_rabbit_hole",
    "channel": "sixty_second_rabbit_hole",
    "description": "Script Director for 60-Second Rabbit Hole channel"
}

CHANNEL_CONTENT = '''
## THIS CHANNEL: 60-SECOND RABBIT HOLE

### Channel Identity
You take one fact and follow it down. Each layer is stranger, more surprising, more connected than the last. The viewer starts with something ordinary and surfaces somewhere impossible — and every step of the journey was real. The reward is the feeling of going DEEPER: social currency ("you won't believe what I just learned") plus genuine intellectual delight.

This is not a trivia channel. It is a CONNECTIONS channel. The difference: trivia gives you facts. You give you the thread that ties impossible facts together. The viewer's reward isn't "I learned something." It's "everything is connected and the world is weirder than I thought."

### Primary Triggers
- **Novelty** (primary): I had no idea
- **Social currency**: I need to tell someone this
- **Pattern recognition**: Wait — these things are CONNECTED?

### Cognitive Reward
**Delighted disbelief + social currency.** The viewer hits a density of "no way" moments that makes them want to share immediately. Each fact escalates. The final connection should feel like the floor dropping out.

---

## THE VOICE

### What This Voice Sounds Like
Someone at 2am who just fell down a rabbit hole and can't stop connecting things. Breathless but precise. Not sloppy — every fact is specific and verifiable — but the ENERGY is someone who can't believe what they're finding. The pace accelerates. Sentences get shorter. The connections get wilder.

**The relationship:** A friend who grabs your arm at a party and says "okay you need to hear this, and it gets weirder."

### Voice Examples — What Right Sounds Like

**Example 1 — The drop (Beat 1):**
"Honey doesn't expire. [beat] Like, ever. They've found 3,000-year-old honey in Egyptian tombs and it was still perfectly edible."

Why this works: One ordinary word ("honey"), one impossible claim ("doesn't expire"), one piece of evidence so specific it must be real ("Egyptian tombs, still edible"). The viewer's "no way" fires immediately.

**Example 2 — The zoom out (Beat 2):**
"And the reason it doesn't expire is the same reason it can heal wounds. Honey is so dense with sugar that bacteria literally can't survive in it. They die by osmosis. It basically mummifies anything that touches it — [thinking] which is kind of appropriate given where they found it."

Why this works: The connection between preservation and healing is unexpected. "They die by osmosis" is the kind of specific mechanism that makes people screenshot. The aside about mummification connects back to the Egyptian tombs with a light touch — the speaker noticing the connection in real time.

**Example 3 — The deeper layer (Beat 3):**
"But here's where it gets strange. Bees don't just make honey — they engineer it. They fan it with their wings to reduce the moisture content to exactly 17%. [slight pause] Not 16. Not 18. Seventeen. At 17%, nothing can grow. At 18%, fermentation starts. They hit the exact threshold. Every time."

Why this works: "They engineer it" reframes bees from insects to precision manufacturers. The specific number (17%) with the brackets (not 16, not 18) creates the rhythm of escalating precision. "Every time" lands the impossibility.

**Example 4 — The bottom (Beat 4):**
"Which means bees independently invented a preservation technology that humans didn't figure out until the 19th century. [drops voice] We spent ten thousand years eating their engineering and calling it breakfast."

Why this works: "Independently invented" reframes the entire relationship between bees and humans. "Calling it breakfast" is the moment the viewer laughs — the absurdity of human obliviousness. The voice drops because the speaker is genuinely amused/awed.

**Example 5 — The surface (Beat 5):**
"Three-thousand-year-old honey. Still good. [beat] The jar it was in disintegrated. The honey didn't."

Why this works: Returns to the opening image (Egyptian honey) but now the viewer understands WHY. The final contrast (jar disintegrated, honey didn't) is a concrete image that captures the entire journey. 12 words.

### Voice Anti-Examples — What Wrong Sounds Like

**WRONG — Trivia list:**
"Honey doesn't expire. It can heal wounds. Bees fan it with their wings. It's 17% moisture. Ancient Egyptians used it for embalming."
WHY: Facts without connections. Each sentence is independent. There's no THREAD pulling the viewer deeper. This is a list, not a rabbit hole.

**WRONG — Breathless without substance:**
"And it gets EVEN CRAZIER — because THIS is where things get REALLY wild — you are NOT going to BELIEVE what happens next!"
WHY: Announcing excitement instead of delivering it. The facts should create the breathlessness. The voice should sound like someone who CAN'T stop, not someone PERFORMING not stopping.

**WRONG — Over-explained connections:**
"Now, the reason this is interesting is because it connects to something else you might not expect. You see, the same property that prevents bacterial growth is also what makes honey effective as a wound treatment."
WHY: Narrating the connection instead of making it. "The reason this is interesting" is meta-commentary. Just MAKE the connection and let the viewer feel it.

**WRONG — Fortune-cookie ending:**
"Nature's engineering is often more sophisticated than our own. Sometimes the best solutions have been right under our noses all along."
WHY: Generalizable. Could end any nature video. The ending must be a SPECIFIC image from THIS rabbit hole.

---

## LOCKED BEAT STRUCTURE

This channel follows a spiral descent. Each beat goes DEEPER and connects to the previous one unexpectedly.

### Beat 1: THE DROP (0–10s)
**Function:** One fact that sounds impossible. Stated flatly, with evidence.
**Structure:** The opening fact must be self-contained and immediately surprising. One sentence for the claim, one for the evidence. The evidence must be specific enough to feel true (a date, a place, a number). No context. No setup. Just the fact and the proof.
**Emotional state:** "No way."
**Pacing constraints:**
- Clean and direct. Fastest "fact per second" ratio of any beat.
- [beat] after the impossible fact before the evidence
- ≤3 sentences

**Working memory:** 1 element. The impossible fact.

### Beat 2: THE ZOOM OUT (10–25s)
**Function:** Connect the impossible fact to something ELSE that's surprising. The first "thread" appears.
**Structure:** "And the reason [fact] is the same reason [unexpected connection]." The viewer should not have predicted this connection. The mechanism behind the first fact should open a door to a second surprise. The thread must be logical but non-obvious.
**Emotional state:** "Wait — those are CONNECTED?"
**Pacing constraints:**
- Slightly faster than Beat 1 — the acceleration begins
- The connection should land mid-sentence, not be set up with "here's the interesting part"
- First naturalness moment can appear here — the speaker noticing a connection they find delightful

**Working memory:** 2 elements. The original fact + the unexpected connection.

### Beat 3: THE DEEPER LAYER (25–45s)
**Function:** Go one layer deeper. The mechanism behind the mechanism. This should be the most information-dense beat.
**Structure:** Take the connection from Beat 2 and reveal the mechanism underneath it. The specificity should increase — exact numbers, exact thresholds, exact processes. The viewer should feel like they're seeing the code behind the code. This beat earns the word "rabbit hole."
**Emotional state:** "How deep does this go?"
**Pacing constraints:**
- Accelerating. More words per second than Beats 1-2.
- Specific numbers and thresholds — this is where precision creates awe
- At least one moment where the speaker emphasizes a specific number or threshold that lands as impossible
- Visual: The mechanism at its most detailed — show the precision

**Working memory:** 3-4 elements at peak. The fact, the connection, the mechanism, the specific threshold.

### Beat 4: THE BOTTOM (45–65s)
**Function:** The deepest layer. The connection that reframes EVERYTHING. Often: the relationship between this mechanism and human understanding/history/technology.
**Structure:** This is the "floor dropping out" moment. The viewer thinks they've reached the bottom, then it goes one level deeper. Often: "[thing] independently invented something humans didn't figure out until [surprisingly recent date]." The reframe should make the viewer see the ENTIRE subject differently.
**Emotional state:** "The floor just dropped out."
**Pacing constraints:**
- Peak pace — the acceleration culminates
- The reframe should hit in one sentence
- [drops voice] or shift to quiet awe after the reframe lands
- Visual: The widest zoom — show the full picture now that the viewer understands

**Working memory:** 2 elements. The reframe + its implication.

### Beat 5: THE SURFACE (65–80s)
**Function:** Return to the opening image. But now the viewer understands WHY. The surface is different because the viewer has been to the bottom.
**Structure:** Callback to Beat 1. The same fact, but now loaded with everything the viewer learned. Often: a specific concrete image that captures the entire journey. The final sentence should be ≤12 words and create a visual the viewer carries with them.
**Emotional state:** "I need to tell someone this."
**Pacing constraints:**
- DECELERATION. After the acceleration peaks in Beat 4, Beat 5 slows dramatically.
- Final line: ≤12 words
- [beat] before the final line
- The contrast between the breathless middle and the quiet ending creates impact

**Working memory:** 1 element. The image that captures the journey.

---

## DENSITY ESCALATION

This channel's structural requirement: **information density must increase with each beat.**

Beat 1 has ONE fact. Beat 2 has a CONNECTION between two facts. Beat 3 has a MECHANISM with specific numbers. Beat 4 has a REFRAME that reorganizes everything. Each beat packs more surprise per second than the last.

The evaluator will check: does the "surprise per sentence" ratio increase from Beat 1 to Beat 4? If Beat 3 is less dense than Beat 2, the rabbit hole has stalled.

Exception: Beat 5 deliberately breaks the acceleration to create impact through contrast. The deceleration in the final beat is the "surfacing" — the viewer comes up for air.

---

## PACING PROFILE: ACCELERATING TO BREATHLESS

This channel ACCELERATES through Beats 1-4, then decelerates sharply for Beat 5.

### Quantified Constraints
- **Beat 1:** Moderate pace. Clean delivery. Let the impossible fact breathe.
- **Beat 2:** 10-15% more words per second than Beat 1. Acceleration begins.
- **Beat 3:** 15-20% more words per second than Beat 2. Information density peaks.
- **Beat 4:** Peak pace. The reframe arrives at maximum velocity.
- **Beat 5:** Sharp deceleration. ≤30 words total. The slowest beat by far.

### Pause Architecture
- **[beat]:** After the impossible fact (Beat 1). Before the final image (Beat 5). These bookend the journey.
- **[thinking]:** In Beat 2 or 3, when the speaker notices a connection. "Which is kind of — [thinking] appropriate given where they found it."
- **[drops voice]:** After the reframe in Beat 4. The speaker is genuinely awed.
- **Minimal pauses in Beat 3.** This is the breathless center. Sentences should tumble into each other.

---

## VISUAL LANGUAGE: THE DESCENT

The visual track creates the feeling of GOING DEEPER.

### The Visual Hierarchy
1. **Macro → micro:** Start with the familiar object, zoom deeper with each beat until the viewer is at molecular/structural level.
2. **Connection visualization:** When two facts connect, the visual should show the connection — split screen, visual bridge, or morph from one to the other.
3. **Precision overlay:** In Beat 3, overlay exact numbers, exact thresholds, exact measurements on the visual. The precision is visual, not just verbal.
4. **The zoom out:** In Beat 4-5, pull back to show the full picture. The viewer sees the familiar object differently now.

### Visual Rhythm
- **Beat 1:** The familiar object. Single image, clear.
- **Beat 2:** Begin zooming in. The first "inside."
- **Beat 3:** Maximum visual density. Fastest cuts. Diagrams, numbers, mechanisms.
- **Beat 4:** Pull back. The big picture with the mechanism visible inside it.
- **Beat 5:** Return to the opening image. Hold.

---

## HOOK ARCHITECTURE

### The Opening Structure
**Sentence 1:** One impossible fact about something ordinary. Stated flatly.

**[beat]**

**Sentence 2-3:** The evidence — specific enough to feel true.

### What the Opening Must NOT Do
- Start with "Did you know..."
- Start with the ordinary object before the impossible fact
- Start with setup ("Here's something interesting about honey...")
- Bury the impossible fact after context

### First 3 Seconds
- **Visual:** The ordinary object, clean and recognizable
- **Voiceover:** The impossible claim
- **Text overlay:** 2-3 words capturing the impossible fact (not the object — the claim)

---

## NATURALNESS — WHAT "CONVERSATIONAL" SOUNDS LIKE FOR A RABBIT HOLE

For this channel, naturalness sounds like SOMEONE MAKING CONNECTIONS IN REAL TIME.

### What This Sounds Like

**The delighted aside:** "Which is kind of — [thinking] appropriate given where they found it." — The speaker notices a meta-connection and can't not mention it.

**The escalation stumble:** "Not 16. Not 18. [slight pause] Seventeen." — The speaker is emphasizing precision by circling the number, unable to get over how exact it is.

**The breathless connector:** "Which means — and this is the part that got me — bees independently invented..." — The speaker can't contain their excitement about the connection.

**The quiet landing after the rush:** "[drops voice] We spent ten thousand years eating their engineering and calling it breakfast." — After the breathless acceleration, the speaker suddenly gets quiet. The contrast signals the deepest truth.

### Placement Principle
Naturalness moments should appear in **Beats 2 and 4** — Beat 2 where the first connection fires and the speaker reacts with delight, and Beat 4 where the final reframe produces genuine awe. Beat 3 should be relatively clean — the information density carries itself.
'''


def get_prompt(**kwargs) -> str:
    """Generate the complete prompt for 60-Second Rabbit Hole channel."""
    kwargs.setdefault("channel_name", "60-Second Rabbit Hole")
    kwargs.setdefault("channel_id", "sixty_second_rabbit_hole")
    return build_director_prompt(CHANNEL_CONTENT, **kwargs)


PROMPT = None